In principle, the uncut original version (pre-release version) is recommended. The UK theatrical version is a bit swifter and thanks to the use of alternative footage, the cuts don’t stand out very much if you don’t know the original version.

“Only God Forgives” is rated R (Under 17 requires accompanying parent or adult guardian) for extreme, bloody violence; grisly images; sexual content; and language.

Make no mistake, Little Demon is profane and very violent; despite the troubled-family premise, it’s not for family viewing.

It was a pretty violent show but is not as gory as other animes. I think it deserves it’s MA15+ but would be okay for some children if they are mature and have watched other animes. And besides the anime is not that graphic in violence. 4 people found this helpful.

Overnight success in the cutthroat world of modeling in Los Angeles makes a winsome teenager the subject of obsession for a trio of envious rivals. Watch all you want.

Meanwhile, Jesse finds something rummaging around in her motel room that night. She informs the unpleasant manager Hank (Keanu Reeves), who inspects the room and finds a cougar has snuck into her room (she left the sliding glass door open while she was gone) Hank demands she pay for the damages left by the wild…

Apparently, when Anno was making the original Evangelion anime, in some of the very early concepts of it Shinji was originally going to be a female character. When I first heard that I was pretty surprised.

Kaworu could have thought he could feel those emotions again if he kissed Shinji, or maybe he was relieving himself from the lingering essence of those emotions by “transferring them by kiss.” However, it is doubted that Kaworu can harbor emotions so developed (it is also doubted that he can feel any emotions like love…

Later on, however, in chapter 75 of the manga, Shinji admits that he was “attracted to” Kaworu all along, even though “a guy shouldn’t like another guy like that.”

The movie The Neon Demon, released in 2016 and directed by Nicolas Winding Refn, was shot on digital using ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras and Cooke Lenses, Cooke Xtal Express Lenses with Natasha Braier as cinematographer and editing by Matthew Newman.